Director:
Frank De Felitta
Writer:
J.D. Feigelson (teleplay), J.D. Feigelson (story)
Stars:
Charles Durning, Larry Drake, Robert F. Lyons and Claude Earl Jones
Movie:
“A scarecrow comes in from the field”. It was this evocative
premise that first inspired writer J.D. Feigelson to create, 'Dark Night of the
Scarecrow', one of the most accomplished and
beguiling TV movies ever made.
In the heart wrenching opening scenes, simple man-child Bubba
Ritter (Larry Drake) brings the lifeless body of his young friend, Marylee
Williams (Tonya Crowe) to her home, after she is mauled by a dog. Thinking
Bubba is responsible for the girl's condition, a gang of merciless vigilantes
led by the rotten Otis Hazelrigg (Charles Durning) set out to find him. Hunting
him back to his mother's house, they use a bloodhound to track him to a nearby
field where they find him hiding in the clothes of an old scarecrow. Mercilessly they each shoot Bubba, until he is dead.
'Dark Night' stands apart
from the stagnant world of made for TV horror thanks to its dark, adult themes such as: rape, murder, and the undercurrent of paedophilia. The
sharp as a blade script by writer Feigelson (Horror High) is also very strong. Feigelson had a number of encounters with horror and writing
legends before and during the completion of the screenplay. From his early
friendship with fellow Texan Tobe Hooper ( The Texas Chainsaw Massacre), to his
correspondence with Rod Sterling (Twilight Zone), and his tutelage under sci-fi
legend Ray Bradley, who helped him shape the screenplay. These influences
become apparent as you watch the movie, but the fact they are mixed so
harmoniously makes the end result truly special and unique.
The cast is also uniformly good for this type of production,
particularly Larry Drake's (Dark Man) brief, but memorable, performance as
simpleton Bubba. The real star however is Charles Dunning (Tootsie) as the all too
convincing monster Otis. His slippery as a snake character adds numerous
layers to the horrors he commits, as he twists in his own sick moral code.
Although the image of the murderous scarecrow has since
become an archetypal to the horror genre, 'Dark Night of the Scarecrow' got
there first, and in my opinion remains the best example to date.